About
Atl E Flux 2

The Atlantic Project is a pilot for a new international festival of contemporary art, taking place in public contexts and outdoor locations across Plymouth, UK, from 28 September 2018.

Staff
Tom Trevor

Artistic Director

Tim Mills

Producer

Lucy Rollins

Producer

Katherine Peberdy

Marketing Coordinator

Eva Szwarc

Marketing Coordinator

Padouk Fielding

Administrator

Phil Rushworth

Producer (maternity leave)

OUTLINE

The Atlantic Project: After the Future

Opening: 28 September 2018

Participating artists include Nilbar Güreş (Turkey), Tommy Støckel (Denmark), Liu Chuang (China), Yan Wang Preston (China), Hito Steyerl (Germany), Vermeir & Heiremans (Belguim), Kiluanji Kia Henda (Angola), Donald Rodney (UK), Shezad Dawood (UK), Postcommodity (USA), Ryoji Ikeda (Japan), Carl Slater (UK), SUPERFLEX (Denmark), Uriel Orlow (Switzerland), Khadija von Zinnenburg Carroll (Australia), Chang Jia (South Korea), Jane Grant and John Matthias (UK), Ursula Biemann (Switzerland), Bryony Gillard (UK) and Kranemann + Emmett (Germany/UK).

In the build-up to Mayflower 400 in 2020, marking the 400th anniversary of the Pilgrims’ voyage from Plymouth to the so-called ‘New World’ in North America, the aim is to test out the elements that will make up a potential new ‘biennial’ festival in the UK. As well as trialling an internationally significant event that will raise the critical profile of visual arts in Plymouth and the region, The Atlantic Project aims to be a highly engaging experience for a wide range of audiences that is relevant and distinctive to the locality. Taking place in unconventional contexts across the city, including a number of locations that have been inaccessible to the public for some years, The Atlantic Project has commissioned new site-specific works by artists of international renown, whilst also providing an open platform for artist-led activities.


CONCEPT

Plymouth is a city built upon visions of the future. As a deep-water port facing the Atlantic, its history is bound up with maritime exploration, in pursuit of the unknown worlds that lie over the horizon. From Francis Drake to Charles Darwin, James Cook to the Pilgrim Fathers, the legacies of such utopian imaginaries have come to define our contemporary world. Just as the barbaric inhumanity of the trans-Atlantic slave trade and the inequities of British colonialism have shaped the precarious conditions that characterise globalisation today.

As the largest naval base in Western Europe, Plymouth was bombed extensively in WWII and the subsequent city architecture could be said to reflect a succession of post-war visions of the future, from Soviet-style social housing to European ‘Brutalism’ to American-style free enterprise. With the acceleration of globalisation and the prolonged impact of austerity, however, the century-long obsession with the concept of progress has ground to a halt. Without a clear vision of the future or a shared belief in the continual transformation of society for the better, the question arises, how will the role of the artist function and change - drifting in the wake of utopian imaginaries - after the future?

Contact

mail@theatlantic.org

The Atlantic Project
c/o The Arts Institute, University of Plymouth
Roland Levinsky Building
Drake Circus
Plymouth PL4 8AA
United Kingdom